LEONCE RAPHAEL AGBODJELOU EGUNGUN SERIES

LEONCE RAPHAEL AGBODJELOU EGUNGUN SERIES

What was the most interesting thing you discovered through this project? This page was last edited on 26 April , at He is the son of Benin photographer Joseph Moise Agbodjelou I would like to receive the AnOther newsletter. How would you sum up this series? Subscribe to the weekly AnOther newsletter.

This page was last edited on 26 April , at However, rather than suffering rejection, the Egungun have responded in elaborating counter-narratives which have succeeded in keeping this important practice relevant to contemporary audiences. These portraits capture both the individual personalities and quirks of the Egungun while marking out their power and elusiveness as liminal visitors from the world of the dead. They can also appear at any time to protect people from misfortunes. Subscribe to the weekly AnOther newsletter. Since the s the rise of Pentecostal churches across West Africa has been a new challenge to Egungun masquerade. I have quite a traditional method of working having been trained by my father the world-renowned Joseph Moise Agbodjelou. What are your thoughts towards the Pentecostal churches demonisation of this form of religion?

How would you sum up this series? Leonce Raphael Agbodjelou was born in Porto-Novo in Egungun masqueraders are a part of my local culture. Egungun was permitted in public performance as a marker of an acknowledged Yoruba descent and identity, albeit that some of its rituals had by the twentieth century acquired additional Fon practices. Taking place later this month at Jack Bell Gallery is a vibrant exhibition of work by photographer Leonce Raphael Agbodjelou that explores his native tradition of Egungun: He is using a daylight studio and a medium format film camera for the project.

Egungun are both named and unnamed ancestral forbears of Yoruba-speaking lineages, found in agbbodjelou Republic of Benin and in the Yoruba kingdoms of south-western Nigeria.

agbodjepou

Press Release Jack Bell Gallery is pleased to present a new series of photographs by Leonce Raphael Agbodjelou, in his second solo exhibition with the gallery. Since the s the rise of Pentecostal churches across West Africa has been a new challenge to Egungun masquerade.

Shooting with medium format in an outdoor studio, this recent project has focused on the Egungun masqueraders. To coincide with Halloween, our annual festival of the dead, we speak to Agbodjelou about his local Egungun tradition and his various encounters whilst working on the project.

  SANKOCH 1976 FULL MOVIE

Retrieved from ” https: Beninese photographers births Living people. They occupy a range of roles that vary from recent deceased and historical forbears, to acting as community executioners of criminals and witches.

Don’t miss out

Porto Novo, in what is now the Republic of Benin, has many Yoruba-speakers but historically they were subjugated to a Fon descended community and king.

I shoot with medium format in an outdoor studio. They were traveled together with portable studio. Leonce Raphael Agbodjelou is a egyngun from Benin. For me, the Egungun use public performance to tap into a narrative of localised Yoruba memories, personalised histories and ritual. What are your thoughts towards the Pentecostal churches demonisation of this form of religion? Describe your photographic technique for this series? What drew you to focus on the subject of Egungun masqueraders?

They play a fundamental role in upholding the ethical values of the community. Egungun has responded in elaborating a counter-narrative of localised Yoruba memories, personalised histories and ritual through public performance that upholds the ethical values of the community. Masks and Global African Art ” “.

Leonce Raphael Agbodjélou : Egungun Masquerades | Contemporary And

Less important agbodjeoou junior performers, such as onidan miracle workers olokiti acrobats and alabala wearers of cloth can also entertain the onlookers with magical feats and the sumptuousness of visual display. Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy.

From Wikipedia, the free encyclopedia.

Leonce Raphael Agbodjelou – Wikipedia

What was the most interesting thing you discovered through this project? I have quite a traditional method of working having been trained by my father the world-renowned Joseph Moise Agbodjelou.

Jack Bell Gallery is pleased to present a new series of photographs by Leonce Raphael Agbodjelou, in his second solo exhibition with the gallery. Visually alone the performances are spectacular — miracle workers, acrobats and figures adorned with incredible textiles and costumes all combine to entertain the onlookers with magical feats and a real sumptuousness of display. He does not have a formal education and was trained by his father.

  MAMA MANCHU ALLUDU KANCHU MOVIE ONLINE FULL

Subscribe to the weekly AnOther newsletter. They can also appear at any time to protect people from misfortunes. They usually appear at funerals to guide deceased to the spirit world.

Whilst annual festivals are held in Yoruba-speaking communities at the beginning of the rainy season to cleanse the town, Egungun can also appear at any time to avert major misfortune or affliction that threaten the local community.

However, rather than suffering rejection, the Egungun have responded in elaborating counter-narratives which have succeeded in keeping this important practice relevant to contemporary audiences.

Leonce Agbodjelou founded the first Photography School in Benin. Beginning with Ife in the 11th to 14th centuries a. Tel Aviv Museum of Art. The churches sought to represent indigenous religions and their pantheons of deities as pagan and dangerous. These portraits capture both the individual personalities and quirks of the Egungun while marking out leoncf power and elusiveness as liminal visitors from the world of the dead.

Leonce Raphael Agbodjelou, Egungun Project

Dating back to the 11th and 14th centuries AD, the masqueraders appear at funerals to mark and guide the passage of the deceased to the spirit world.

I would like to receive the AnOther newsletter. I think what interested me the most about these performances were the dynamic tensions that occur between this world and the next.

These portraits capture both their individual personalities and quirks while marking out their power and elusiveness as liminal visitors from the world of the dead. Trained by his father, the world-renowned photographer Joseph Moise Agbodjelouhe has since developed his own individual style in contemporary and innovative ways. This page was last edited on 26 Aprilat He is the son of Benin photographer Joseph Moise Agbodjelou

Previous post: